Fatal Attraction Fatal Attraction Charters. Come enjoy an exciting fun filled day or two of Lake Ontario fishing with Capt. Brian Edwards, aboard the Fatal Attraction. Directed by Adrian Lyne. With Michael Douglas, Glenn Close, Anne Archer, Ellen Hamilton Latzen. A married man's one night stand comes back to haunt him when that. Fatal Attraction TrailerFatal Attraction is a 1987 American psychological thriller film directed by Adrian Lyne and starring Michael Douglas, Glenn Close, and Anne Archer. The film centers on a married Manhattan man who has a weekend affair with a woman who refuses to allow it to end, resulting in her becoming obsessed with him. The film was adapted by James Dearden and Nicholas Meyer from an earlier 1980 short film by Dearden for British television, Diversion. Fatal Attraction was a hit, finishing as the second highest-grossing film of 1987 in the United States and the highest-grossing film of the year worldwide. Critics were enthusiastic about the film, and it received six Academy Award nominations, including Best Picture (which it lost to The Last Emperor), Best Actress for Close, and Best Supporting Actress for Archer. Both lost to Cher and Olympia Dukakis, respectively, for Moonstruck. Dan Gallagher (Michael Douglas) is a successful, happily married New York attorney living in Manhattan when he meets Alexandra "Alex" Forrest (Glenn Close), an editor for a publishing company, through business. While his wife, Beth (Anne Archer), and daughter, Ellen (Ellen Hamilton Latzen), are out of town for the weekend, he has an affair with Alex. Though he thought it was understood to be a simple fling, she begins clinging to him. Dan stays on a second unplanned evening with Alex in which she persistently asked him over. When Dan tries to leave, she cuts her wrists in a suicide attempt. He helps her to bandage them and later leaves. He thinks the affair is forgotten, but she shows up at various places to see him. She waits at his office one day to apologize and invites him to a performance of Madame Butterfly, but he politely turns her down. She then continues to telephone until he tells his secretary that he will no longer take her calls. She then phones his home at all hours, and then confronts him claiming that she is pregnant and plans to keep the baby. Although he wants nothing to do with her, she argues that he must take responsibility. She shows up at his apartment (which is for sale) and meets Beth, feigning interest as a buyer. Later that night, he goes to her apartment to confront her, which results in a violent scuffle. In response, she replies that she will not be ignored. Dan moves his family to Bedford, but this does not deter Alex. She has a tape recording delivered to him filled with verbal abuse. She stalks him in a parking garage, pours acid on his car, and follows him home one night to spy on him, Beth, and Ellen from the bushes in their yard; the sight of their family life literally makes her sick to her stomach. Her obsession escalates further. Dan approaches the police to apply for a restraining order against her (claiming that it is "for a client"), to which the lieutenant claims that he cannot violate her rights without probable cause, and that the "client" has to own up to his adultery. At one point, while the Gallaghers are not home, Alex kills Ellen's pet rabbit, and puts it on their stove to boil. After this, Dan tells Beth of the affair and Alex's supposed pregnancy. Enraged, she demands him to leave. Before he goes, Dan calls Alex to tell her that Beth knows about the affair. Beth gets on the phone and warns Alex that if she persists, she (Beth) will kill her. Without Dan and Beth's knowledge, Alex picks up Ellen at school and takes her to an amusement park, buying her ice cream and taking her on a roller coaster. Beth panics when she realizes that she does not know where Ellen is. She drives around frantically searching and rear-ends a car stopped at an intersection. She is injured and hospitalized. Alex later takes Ellen home, asking her for a kiss on the cheek. Following Beth's release from the hospital, she forgives Dan and they return home. Dan barges into Alex's apartment and attacks her, choking her and coming close to strangling her. He stops himself, but as he does, she lunges at him with a kitchen knife. He overpowers her, but puts the knife down and leaves, with Alex leaning against the kitchen counter, smiling. He approaches the police about having her arrested, and they start searching for her. Beth prepares a bath for herself and Alex suddenly appears, again with the kitchen knife. She starts to explain her resentment of Beth, nervously fidgeting (which causes her to cut her own leg) and then attacks her. Dan hears the screaming, runs in, wrestles Alex into the bathtub, and seemingly drowns her. She suddenly emerges from the water, swinging the knife. Beth, who went searching for Dan's gun, shoots her in the chest, killing her. The final scene shows police cars outside the Gallaghers' house. As Dan finishes talking with the police, he walks inside, where Beth is waiting for him. They embrace and proceed upstairs as the camera focuses on a picture of them and Ellen. Alex Forrest was originally scripted to commit suicide at the film's end by slashing her throat with the knife Dan had left on the counter, so as to make it appear that Dan had murdered her. After seeing her husband being taken away by police, Beth finds a revealing cassette tape that Alex sent Dan in which she threatened to commit suicide. Upon realizing Alex's intentions, Beth takes the tape to the police, which acquits Dan of the murder. The last scene shows, in flashback, Alex committing suicide by slashing her throat while listening to Madame Butterfly. This resulted in a three-week reshoot for the action-filled sequence in the bathroom and Alex's death by gunshot. Her shooting by Beth juxtaposes the two characters, with Alex becoming the victim and Beth taking violent action to protect her family. In the 2002 Special Edition DVD, Close comments that she had doubts re-shooting the film's ending, because she believed the character would "self-destruct and commit suicide". However, Close gave in on her concerns, and filmed the new sequence after having fought against the change for two weeks. The film was initially released in Japan with the original ending. The original ending also appeared on a special edition VHS and LaserDisc release by Paramount in 1992, and was included on the film's DVD release a decade later. Michael Douglas as Dan Gallagher Glenn Close as Alexandra "Alex" Forrest Anne Archer as Beth Gallagher Ellen Hamilton Latzen as Ellen Gallagher Stuart Pankin as Jimmy Ellen Foley as Hildy Fred Gwynne as Arthur Meg Mundy as Joan Rogerson Tom Brennan as Howard Rogerson Lois Smith as Martha Mike Nussbaum as Bob Drimmer J. J. Johnston as O'Rourke Michael Arkin as Lieutenant Jane Krakowski as Christine After its release, Fatal Attraction engendered much discussion of the potential consequences of infidelity. Some feminists, meanwhile, did not appreciate what they felt was the depiction of a strong career woman who is at the same time psychopathic (although Forrest is more widely considered to be representative of borderline personality disorder). Feminist Susan Faludi discussed the film in Backlash: The Undeclared War Against American Women, arguing that major changes had been made to the original plot in order to make Alex wholly negative, while Dan's carelessness and the lack of compassion and responsibility raised no discussion, except for a small number of fundamentalist men's groups who said that Dan was eventually forced to own up to his irresponsibility in that "everyone pays the piper". The film has also had an effect on men. Close was quoted in 2008 as saying, "Men still come up to me and say, 'You scared the shit out of me.' Sometimes they say, 'You saved my marriage.'" The film spent eight weeks at #1 in the U.S. and eventually grossed $156.6 million domestically, making the film the second highest-grossing film of 1987 in the U.S. behind Three Men and a Baby. It also grossed $163.5 million overseas for a total gross of $320.1 million, making it the biggest film of 1987 worldwide. This in turn led to several similarly themed psychological thrillers being made throughout the late 1980s and 1990s. Overall, the film received positive reviews from critics. Rotten Tomatoes gives the film a rating of 78% based on reviews from 46 critics, with the site's consensus "A potboiler in the finest sense, Fatal Attraction is a sultry, juicy thriller that's hard to look away from once it gets going." On Metacritic, the film has a rating of 67/100 based on reviews from 16 critics. The film received six nominations for the 60th Academy Awards ceremony: Best Picture Best Actress in a Leading Role—Glenn Close Best Actress in a Supporting Role—Anne Archer Best Directing—Adrian Lyne Best Film Editing—Peter E. Berger and Michael Kahn Best Adapted Screenplay—James Dearden American Film Institute recognition AFI's 100 Years...100 Movies—Nominated AFI's 100 Years...100 Thrills—#28 AFI's 100 Years...100 Passions - Nominated AFI's 100 Years...100 Heroes & Villains: Alex Forrest—Villain—#7 AFI's 100 Years...100 Movies (10th Anniversary Edition) – Nominated A Special Collector's Edition of the film was released on DVD in 2005. Paramount released Fatal Attraction on Blu-ray Disc on June 9, 2009. The Blu-ray release contained several bonus features from the 2005 DVD, including commentary by director Adrian Lyne, cast and crew interviews, a look at the film's cultural phenomenon, a behind-the-scenes look, rehearsal footage, the alternate ending, and the original theatrical trailer. A play based on the movie opened in London's West End at the Theatre Royal Haymarket in March 2014. It was adapted by the movie's original screen play writer James Dearden. The character of Alex Forrest has been discussed by psychiatrists and film experts, and has been used as a film illustration for the condition borderline personality disorder. The character displays the behaviors of impulsivity, emotional lability, frantic efforts to avoid abandonment, frequent severe anger, self-harming, and changing from idealization to devaluation; these traits are consistent with the diagnosis, although generally aggression to the self rather than others is a more common feature in borderline personality disorder. Some have instead considered the character to be a psychopath. As referenced in Orit Kamirs' Every Breath You Take: Stalking Narratives and the Law, "Glenn Close's character Alex is quite deliberately made to be an erotomaniac. Gelder reports that Glenn Close 'consulted three separate shrinks for an inner profile of her character, who is meant to be suffering from a form of obsessive condition known as de Clérambault's syndrome' (Gelder 1990, 93—94)". The popular term 'bunny boiler', used often to describe an obsessive, spurned woman derives from the scene where Alex boils the pet rabbit. List of films featuring home invasions Mental illness in film Fatal Instinct, 1993 film parody Fatal Attraction at the Internet Movie Database Fatal Attraction at AllMovie Fatal Attraction at Box Office Mojo Fatal Attraction at Rotten Tomatoes Fatal Attraction at Metacritic Fatal Attraction is a 1987 American psychological thriller film directed by Adrian Lyne and starring Michael Douglas, Glenn Close, and Anne Archer. Fatal Attraction Studio: Paramount Release Date: September 18, 1987 Domestic Gross: $156,645,693 Running Time: 123 mins. Genre: Thriller MPAA: R Academy Awards. Creative Hairdressing in East Anglia Looking for a salon experience that combines the very best in service, quality and value? Fatal Attraction Hair Design is one of.
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Critics Consensus: Hal Ashby's comedy is too dark and twisted for some, and occasionally oversteps its bounds, but there's no denying the film's warm humor and big heart. Harold and Maude FADE IN: 1 INT. THE CHASEN'S DEN - DAY The CAMERA is at floor level. A young man enters but we see only his shoes and the cuffs of his pants. 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Editorial Reviews The self-destructive and needy wealthy teenager Harold is obsessed by death and spends his leisure time attending funerals, watching the demolishing of buildings, visiting junkyards, simulating suicides trying to get attention from his indifferent, snobbish and egocentric mother, and having sessions with his psychologist. When Harold meets the anarchist seventy-nine-year-old Maude at a funeral, they become friends and the old lady discloses other perspectives of the cycle of life for him. Meanwhile, his mother enlists him in a dating service and tries to force Harold to join the army. On the day of Maude's eightieth birthday, Harold proposes to her but he finds the truth about life at the end of hers. The editor's review of this film is a fair enough description of the plot. One should add that, despite being made in 1971, the movie manages not to look dated, precisely because it makes such fun of the early 70s style, and that the acting by the three main characters (Harold, Maude and Harold's mother) is simply inspired. Ruth Gordon is splendid of course, while Bud Cort gives a lifetime performance, but it is the portrayal of Harold's mother by Vivian Pickles (what a splendid name for someone in the role) that has to be the most undercelebrated aspect of this film. Her breezy blitheness, outraged exasperation, and British sensibility are all just too wonderful. But before I go on ... NOTE: It has been been pointed out to me that since some would consider this review to contain spoilers that I ought to warn people ahead of time. However, I'll add that it's hard to say how much spoilers actually spoil this movie; spoilers may help to make the movie's wisdom more readily apparent on a first viewing. In any case, there are several ahead. ADDITIONAL NOTE: Some Amazonites have complained that they encountered spoilers in my review despite presumably reading my disclaimer and warning (above) that there are spoilers in my review. I find this odder than some of Harold's mother's behavior, and it makes me want to ask, without at all intending sarcasm, "If you didn't appreciate the disclaimer when you read it, how will reading spoilers harm your appreciation of the film?" ... To paraphrase Maude: "Ah people ...." (They're my species.) ... Meanwhile, back at the review: Filling out a dating questionnaire for her son, in response to the question "Do you find the idea of wife-swapping offensive?Read more › Harold and Maude is just a delight to see. Somehow, the wonderful acting of Ruth Gordon and Bud Cort seem to get away with their relationship (which at the time, was QUITE a scandal!) What is so great about this show is that it was written so beautifully and sensitively. I don't know of any other movie that talks about life and death in such a sensitive, but yet lighthearted manner. My favorite scene is when Harold and Maude are in a daisy field and Maude says: "You know Harold, I'd like to come back as a sunflower most of all. They're so big and hearty. What would you like to come back as?" Harold responds by saying "One of these" (meaning one of the daisies). Maude says "How come" and he replies, "Because they're all alike." Then comes the Kleenex box when she replies "Oh no, Harold, They're not all alike! You see, some grow to the left, some to the right, some have even lost petals, all SORTS of observer able differences . . . You see, Harold, I feel that much of the world's sadness comes from someone who is this" (she picks a daisy from the field) -- "but yet ALLOWS themselves to be treated as that" (gesturing to the entire field of daisies). You can't beat this show for its marvelous acting by Ruth Gordon, especially. You will also never find another movie that can portray all of these intense subjects in such a carefree way that they seem commonplace. Get this movie and watch it several times to really enjoy it. I've seen it at least 30 times, myself and have enjoyed it more and more each time. I had heard about this movie through friends but was never impressed by the story. A reclusive anti social kid who befriends and falls in love with an elderly (though young at heart) eccentric. I wrote it off completely til I saw a bit of it on television and thought it was hilarious and as it turns out I rented the movie and was extremely hooked. Harold is a rich kid with a high strung, selfish mother who tries anything to find a suitor for him, in turn Harold escapes from his home to overshadow funeral processions and memorials. At a number of these events, Maude is in attendence and she lights up the scene with her off the wall,and positively upbeat personality that horrifies and amuses Harold. After a while they become unlikely friends. Maude helps Harold live a little and in turn he develops true affection to Maude. With Ruth Gordon's charm and incredible acting abilites, and Cat Steven's classy soundtrack, its not hard to find yourself feeling happy and free after the movie is over. It really teaches you a message about being your own person and enjoying life. If such an irreverently offbeat film were to be made today, I wonder how the putative audiences would react. As was probably the case when the film was released, people would probably find the theme edgy, if not inappropriate. This anti-establishment cult classic quite openly explores themes of suicide, love, death and life with a fresh perspective. The interesting part is how this film will likely find you. In most societies, an older man will likely fall for a woman years his junior. Here though, Harold (Bud Cort) -- a shy teenager with an affinity for death -- meets his 80-year-old true love Maude (Ruth Gordon), not at a dance or social event, but at funerals. I guess 'Harold and Maude' plays on '60s-esque themes of turning maverick, challenging societal moulds, denouncing materialism. The story is strewn with delectable humor, and thankfully is not of your average garden variety. Cat Stevens' open-air, acoustic-driven rock 'n' roll makes for a cherishable soundtrack giving the film an authentic organic sound indicative of its demeanor. A great movie with a warm heart -- required collective for every self-respecting library! ![]() ![]() Harold And Maude CastHarold and Maude Harold And Maude PosterHarold und Maude ist ein 1971 unter der Regie von Hal Ashby nach dem Drehbuch von Colin Higgins gedrehter Spielfilm. Higgins veröffentlichte die Geschichte noch im. 4.6/5.0 rating. See Harold and Maude on the Amazon Movies and TV store. 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